The New York curator Marvin Heiferman characterized Lewis Baltz's landscape photography as "a topography of the emptiness of random, damaged, remote places." The images in his 1989 series Candlestick Point show fallow Californian land, where piles of rubble and waste accumulate in the middle of the prairie. Traces of technical land development--drainage channels and water dams--are visible, becoming a typically American theme: the development of a territory in the almost infinite prairie..
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